New Zealand flutist Tessa Brinckman has been described by critics as a“flutist of chameleon-like gifts” and “virtuoso elegance” (Gramophone), an “excellent…flutist” (Willamette Week) and “highlight of Portland” (New Music Box), who “play(s) her instrument with great beauty and eloquence” (Music Matters New Zealand). She enjoys a versatile career, having worked in many classical music ensembles and concert series in the United States, South Africa, France and New Zealand. Her orchestral, chamber and solo music performances include the Oregon Symphony, New Haven International Arts, Festival of New American Music, Britt Festival of Music & Arts, Ashland Independent Film, Oregon Bach, Oregon Shakespeare, Ernest Bloch, Bumbershoot, Oregon Fringe and Astoria Music Festivals.  Performing on flute, piccolo, alto, bass, contrabass and baroque flutes, and miscellaneous keyboards, Ms. Brinckman also co-directs the ever-polymathic duo, Caballito Negro with percussionist Terry Longshore, and is a member of Collectif Impulsion in France. She has recorded, composed and performed in major regional theaters across the United States and internationally, as well as for radio, TV and film. Her co-composition for Tony Award-winning director Mary Zimmerman’s White Snake was nominated for a Joseph Jefferson Award in 2014.

Over the past 15 years Ms. Brinckman has received local and international grants to commission, curate and perform unique programs, which blend technology, tradition, and contemporary geo-political themes. The music is often interwoven with her own visual and narrative work, in concert with diverse, global artists.  Recent collaborations/commissions (outside her duo work with Caballito Negro) include taonga puoro master Horomona Horo, live electronics composer Nicolas Vérin, theorbist Caroline Delume, microtonalist Pascale Criton, avant-rock composer Randy Woolf, poets Angela Decker and Tricia Snell, electronic composer Jeremy Mayall, composer-scholar Martin Lodge, multi-media composer Nissim Schaul, koto-player Mitsuki Dazai, and South African musical bow specialist and composer, Cara Stacey. Ms. Brinckman’s composition for flute and string trio, Glass Sky (2005), can be found on the critically acclaimed CD, Glass Sky, and is featured in the South African documentary, Inner Landscapes (Climax Films), centering around Outsider artist Helen Martins and her Owl House creation. She has served on the music faculties of various Oregon universities and colleges, and now teaches workshops and masterclasses in the USA and abroad. Recent solo projects include performance (“When Flutes Spoke Words”) and teaching residencies (“Building for the (Un)Reliable Narrator”) at Waikato and Canterbury Universities (2017); a residency at Centre Pompadour (2018) to create Box |Grown Men Sing for bass flute, waterphone, fixed audio + video, on the subject of solitary confinement, and a commission by the Oregon Fringe Festival to complete and perform Box (2019); a residency at Atlantic Center for the Arts (2019), creating animation and music for Blazing World, about 17th Century science fiction; and ongoing recording for various solo audio and animation projects.